The darkest – and most financially successful – chapter in The Conjuring Universe continues in The Nun II this September, and the film has been officially rated “R” this week. Sympathy for the Devil releases in theaters on July 28, 2023. By the time Sympathy for the Devil finally reveals its hand, it’s too little too late. Nor does it manage to evoke sympathy for any of its central players. Despite hints at horror leanings, Sympathy for the Devil plays it safe with a crime thriller that never lives up to its promise to go off the rails. In the steadfast commitment to preserving any narrative turns, it also withholds characterization that might help audiences invest in an otherwise familiar setup. His mild-mannered Driver must keep things close to the chest for far too long, leaving the actor without much to do beyond reacting to The Passenger’s antics.Īdler’s efficient direction and a Cage unleashed aren’t enough to keep viewers on the hook in this sparse story. Cage continues his streak for imbuing his characters with eccentricities that engage here, his attempts at a Boston accent and gleeful affinity for violence liven up the otherwise quiet thriller. That means a push-and-pull series of conversations between The Driver and The Passenger, intercut by occasional scenes of violence whenever they cross paths with an unfortunate soul(s). Despite a teasing air of the supernatural, Adler plays this crime thriller straight. It’s the prolonged question of “why” that haunts this chamber piece.Īll of it winds up a smokescreen for a relatively straightforward, bland affair. The Las Vegas setting and the vibrant red hues filling the frame also feel suggestive of the devil toying with a milquetoast family man. The Passenger also happens to dress in the devil’s favorite colors, red and black. Could The Passenger be the devil? There’s a comfortable, confident swagger to him with an underlying menace that constantly threatens to erupt into violence. The Passenger ignores all please and instructs The Driver to head out toward an undisclosed location, kickstarting a violent game where not everything is as it appears.ĭirector Yuval Adler and writer Luke Paradise shroud their crime thriller in mystery by withholding information about The Passenger for as long as possible while using visual language to suggest the possibility of the supernatural. The Driver pulls into the parking garage only for a strange man with bright red hair and a snazzy suit to calmly slide into his backseat and hold him at gunpoint. Sympathy for the Devil introduces its protagonist, credited only as The Driver (Kinnaman), as a doting dad dropping his son off with his mother-in-law before heading to the hospital where his wife is in labor with their second child. Despite Cage’s presence and the pulpy stylings, though, this chamber piece frequently threatens to fall asleep at the wheel. So, it goes without saying that Cage playing an enigmatic gun-wielding madman sounds like the perfect foil for Joel Kinnaman ’s straight-man in the cat-and-mouse road thriller Sympathy for the Devil. A heartwarming tale indeed.įor more such throwbacks, stay tuned to Koimoi.No matter the role or movie, Nicolas Cage reliably makes fascinating choices that captivate and frequently entertain. And Raj Kapoor launched Mukesh’s son Nitin Mukesh in a huge way because that is how friends take care of each other’s families. The film was dedicated to him once it was released. His last recorded song was Chanchal Nirmal Komal Sheetal, from the film. But unfortunately, he came back lifeless, wrapped in a coffin. The song was titled “Wo Aurat Hai, Tu Mehbooba”. Mukesh had to record a song for Satyam Shivam Sundaram after he came back from the US. He’d been filming the flood sequences for Satyam Shivam Sundaram near Pune when he got the news, and despite knowing how difficult it would be to get a busy Shashi Kapoor’s combination dates with Zeenat (Aman), and without a thought for the losses he’d incur, he drove down to be with our family for the next 10 days.” He was at the airport, inconsolable, when I returned with Papa’s body. Little did he know then that this was the last time he’d see his Mukesh Chand alive (Kapoor always addressed him by his full name). Raj uncle was with us at home till we left for the airport. Recalling his father’s death, singer Nitin Mukesh once, in an interview with the Mirror recalled what exactly happened after that unfateful day. But when Mukesh passed away, meri jaan hi chali gayi (I lost my life). When Mukesh passed away, he said, “When Shailendra left us, I felt I’d lost one arm when Jaikishen passed away I lost another. Mukesh died in August 1976, and Raj Kapoor had already lost two of his best friends, lyricist Shailendra and Music Director Jaikishen of the Shankar Jaikishen duo prior to that.
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